Click On Images To Enlarge
Images
are representations only, and colours may not be true to the original artwork.
201.
Paul Margocsy
(b. 1945)
Love
is in the Air, Blue Wrens
Watercolour
Signed
& titled lower left
22
x 36cm
$1,700
- 2,200
__________________________________________________
202.
Donald Stuart
Lesley Friend (1915 - 1989)
African
Woman
Ink
& wash
Signed
& dated ’39, lower left
$650
- 850
__________________________________________________
203.
Kevin Charles
(Pro) Hart (1928 - 2006)
Sheep
Yards
Oil
on board
Signed
lower right
48
x 59cm
$4,000
- 6,000
__________________________________________________
204.
Lawrence
Daws (b. 1927)
Study
for Running Figures 1974
Oil
on paper on board
Signed
“Daws”, lower right
56
x 77cm
$2,000
- 3,000
Provenance:
Phillip
Bacon Galleries,
__________________________________________________
205.
John Coburn
(1925 - 2006)
The
Seasons, 1988
Suite
of nine colour screenprints with portfolio & title
page,
each numbered, titled & signed below image,
edition
10/99
48
x 72cm each
$7,000
- 10,000
Comprising:
i)
Summer; ii) Autumn; iii) Winter; iv) Spring;
v)
Transfiguration;
viii) Resurrection; ix) Hosanna
Printed
by Phelps-Henwood Prints,
Literature:
Kolenberg
J. (comp.), John Coburn: Prints 1959 - 2000
Australian
Galleries,
pp.
35-36, cats. 67-75 (illus., another example)
Paradise Garden
Summer
__________________________________________________
206.
Lori Pensini
(b. 1970)
Reading
to Bowl of Lemons
Ink
& acrylic on canvas
Signed
lower left
33
x 30cm
$500
- 700
__________________________________________________
207.
Frank Pash
(1920 - 1990)
Lion
Rock,
Oil
on hessian
Signed
& dated ’70, lower left
74
x 99cm
$800
- 1,200
__________________________________________________
208.
John Lunghi (b.
1912)
Abstract
Composition
Oil
on board
Signed
lower right
55
x 66cm
$750
- 1,000
__________________________________________________
209.
Bruce Malloch
(b. 1936)
Bar
Scene
Oil
on card
Signed
& dated ’81, lower right
30
x 21cm
$400
- 600
__________________________________________________
210.
Bernard Hesling
(1905 - 1987)
Medieval
Knight on Horse
Vitreous
enamel
Signed
lower centre
53cm
diameter
$550 - 750
__________________________________________________
211.
Henri Tebbitt
(1852 - 1926)
Beach
Scene
Watercolour
Signed
lower left
10.5
x 19cm
$300
- 400
__________________________________________________
212.
Henri
Benedictus van Raalte (1881 - 1929)
The
Actor
Drypoint
engraving c. 1928
Signed
in plate with initials H.V.R., lower left
$300
- 400
Note:
Apparently depicts Dick Judd on stage and
the
artist’s wife, Kitty, looking on.
__________________________________________________
213.
Bernard Hesling
(1905 - 1987)
In
a
Vitreous
enamel
Signed
& dated ’73, lower left; titled lower right
84
x 53.5cm
$750
- 1,000
__________________________________________________
214.
A Tihelka (Prague
Nude
in Mirror c.1920’s
Oil
on canvas
Signed
lower left
49
x 42cm
$400
- 800
__________________________________________________
215.
Artist Unknown
(but signed)
Portrait
of a Girl c.1920’s
Pastel
Signed
lower left
Circular,
27cm diameter
$300
- 600
__________________________________________________
216.
J Metcalfe (British
Pastoral
Scene with River
Oil
on canvas
Signed
& dated 1922, lower left
40
x 29.5cm
$350
- 700
__________________________________________________
217.
Artist Unknown
(British or European
Coastal
Scene 1872
Oil
on canvas
Signed
E.P. & dated 1872, lower right
29
x 60cm
$400
- 700
__________________________________________________
218.
Paul Cazot
(19th Century,
French
Winnowing
Oil
on canvas
Signed
lower left
45
x 37cm
$900
- 1,200
__________________________________________________
219.
Hippolyte Omer
Ballue (1820 - 1867 French)
Pair
of Mystical Forrest Scenes
Oil
on canvas
One
signed lower right
Both
oval shaped, 57 x 41cm each
$500
- 1,000 (the pair)
__________________________________________________
220.
i)
Cliff Jones (1939 - 2000)
A
Pair of Colour Monotypes
Both
signed & dated 98 & titled ”Bornite”, lower margin
22
x 17cm
ii)
Ashley Jones (b.1951)
Bookmark,
Hovea
Colour
etching, 57/99
Titled,
signed & dated 92, lower right
10
x 9cm
$350
- 450 (3 items)
__________________________________________________
221.
Leon Pericles
(b. 1949)
The
Quick and the Dead
Hand
coloured etching in 4 panels
Numbered
20/60, titled in margin & signed lower right
15
x 12.5cm (each panel)
$275
- 375
__________________________________________________
222.
Kevin Charles
(Pro) Hart (1928 - 2006)
Waterbird
on the Creek
Oil
on board
Signed
lower right
20
x 19cm
$2,500
- 3,500
__________________________________________________
223.
Charles
Blackman (b. 1928)
Two
Crosses
Pastel
Signed
with initials, lower right
22
x 20cm
$750
- 1,200
Includes
copy of certificate of authenticity from
Archers
Auctioneers and letter from Nadine Amadio
__________________________________________________
224.
Charles
Blackman (b. 1928)
Touching
Fingers
Pastel
Signed
with initials, lower right
22
x 20cm
$750
- 1,200
Includes
copy of certificate of authenticity from
Archers
Auctioneers and letter from Nadine Amadio
__________________________________________________
225.
Brian McKay
Untitled
portrait (possibly of Rose Skinner)
Mixed
media on paper on board
Signed
and dated 65, lower left
19
x 17cm
$950
- 1,250
Provenance:
Estate
of R & B Seddon, Melbourne
Exhibited:
Possibly,
Skinner Galleries 1966
__________________________________________________
226.
Jill Kempson
“Jaurne
D’or” 1988
Oil
on canvas
Signed,
titled & dated on reverse
58
x 51cm
$600
- 800
__________________________________________________
227.
Francis
Lymburner (1916 - 1972)
Classical
Scene with Nudes
Ink,
pencil and watercolour
Signed
& dated 1936, lower right
18
x 24cm
$400
- 600
__________________________________________________
228.
Lionel Lindsay
(1874 - 1961)
Naples
1927
Etching
Numbered
100, signed lower left
Also,
signed, titled & dated in plate, lower right
28
x 20cm (Plate)
$300
- 500
__________________________________________________
229.
L.H. Beer
(Active early 20th Century)
Circular
Quay, Sydney
c.1910
Watercolour
Signed
“L.H.B.”, lower right; titled lower left
23.5
x 37cm
$300
- 500
__________________________________________________
230.
Anthony Dattilo
Rubbo (1870 - 1955)
Sydney
Harbour
Scene, 1913
Oil
on board
Signed
& dated, lower right
29
x 34cm
$1,500
- 2,000
__________________________________________________
231.
i)
Attributed to; Charles Bryant (1883 - 1937)
Sydney
Oil
on board
29
x 36cm
ii)
Sydney
from
Steel
plate engraving
Published
by Roberts & Leete,
20
x 39cm
$450
- 650 (2 items)
__________________________________________________
232.
John Skinner
Prout (1806 - 1876)
Waterfall
Scene
Watercolour
& body colour
Signed,
“Skinner Prout”, lower left
50
x 32cm
$1,500
- 2,500
__________________________________________________
233.
Nigel Hewitt
(b. 1952)
Karratha
Foreshore, 1978
Acrylic
on board
Signed
& dated 78, lower right
40
x 60cm
$450
- 600
Illustrated:
Front
cover “Summerland”
by
Choate & Mair UWA 1979
__________________________________________________
234.
Valentine
Delawarr (Active c.1900)
Wentworth
Oil
on card
Signed
“VD”, lower right
19
x 26.5cm
$300
- 500
__________________________________________________
235.
i)
Attributed to: Harold Brocklebank Herbert
(1892 - 1945)
Farm
Scene with Sheep & Plane Above
Gouache
35
x 24cm
ii)
Artist Unknown (Australian
Rural
Scene with Houses
Watercolour
26
x 44cm
$400
- 600 (2 items)
__________________________________________________
236.
Kalgoorlie
Photographic Panorama
Five Original,
Adair Sliver Gelatin Prints
Joined
to form a panorama of
Kalgoorlie
c.1897
Signed
“Adair” in pencil, lower left
Titled
“
19
x 140cm
$550
- 850
__________________________________________________
237.
A Tallis WA Map
Rankin, Wray & Lacey
An
engraved & hand coloured map of
Western
Australia
with various vignettes
Published
by John Tallis & Co. 1851
34
x 24cm
$300
- 450
__________________________________________________
238.
John Arrowsmith
A
hand coloured map of the Colony of WA
from
the surveys of John Septimus Roe Esq.
Published
52
x 60cm
$2,400
- 4,000
__________________________________________________
239.
Jude Taylor
Banksia
Nuts 1991
Colour
linocut 13/15
Titled,
signed lower right & dated 1991
40
x 40cm (image)
$200
- 300
__________________________________________________
240.
Two Original John Gould Hand Coloured
Lithographs
i)
Columba Rupestris or “Hill Pigeon”
49
x 32cm
ii)
Larus Argentatus or “Herring Gull”
33.5
x 48cm
Both
very possibly from the “Birds of Asia” series,
published
1849 - 1883.
$650
- 960 (the two)
__________________________________________________
241.
Gabriel Namatjira (1941 - 1969)
Central
Australian Landscape
Watercolour
Signed
lower right
18
x 26cm
$300
- 400
__________________________________________________
242.
Gabriel Namatjira (1941 - 1969)
Central
Australian Landscape
Watercolour
Signed
lower left
18
x 26cm
$300
- 400
__________________________________________________
243.
Reynold Hart (1938 - 1981 Nyoongar)
Twilight
Scene with Kangaroos
Oil
on canvas board
Signed
lower right
49
x 59cm
$300
- 600
Note:
Associated with the
Represented:
Art
Gallery of Western Australia
__________________________________________________
244.
Wendy Feifar Nannup (Nyoongar)
i)
Boab
Tree,
Oil
on canvas board
Signed
lower left
27
x 40cm
ii)
Moonlit Scene with Grasstrees
Oil
on canvas board
Signed
lower right
40
x 51cm
$300
- 400 (the two)
__________________________________________________
245.
Wakuthi Marawili
Lightning
Snake Story 1982
Natural
Ochres on bark
Story
verso, inscribed Feb 82 NW on reverse
Language:
Madarrpa
Clan:
Yithuwa
96
x 42cm
$1,000
- 1,500
__________________________________________________
246.
Mirugonulul
Crocodile
c.1980
Natural
ochres on bark
108
x 44cm
$1,200
- 1,800
__________________________________________________
247.
Attributed to: Captain Charles Robert Tylden
Russell
(Active
Camp
at Wild Bull Flat,
Watercolour
Inscribed
with title & dated, lower right
21
x 13.5cm
$200
- 400
Biography:
p.66
The Colonial Eye by B. Chapman
Art
Gallery of Western Australia
__________________________________________________
248.
John Charles Goodchild (1898 - 1980)
After
Work
Aquatint
etching 18/40
Titled
& numbered, lower left, signed lower right
20
x 25cm (plate)
$150
- 250
__________________________________________________
249.
Sydney Long (1871 - 1955)
The
Fishing Boats
Etching
Titled
lower margin, signed lower right
23
x 32cm
$300
- 500
__________________________________________________
250.
Artist Unknown (Possibly late 19th century Italian
School)
Woman
carrying folded linen
Oil
on panel
Signed
(indistinctly), lower left
26
x 16cm
$400
- 700
Note:
Panel
inscribed verso (indecipherable) and with
early
Christ Church (N.Z.) framers label
__________________________________________________
251.
Henri van Raalte (1881 - 1929)
Gulley
Stones
Etching
& Aquatint
Numbered
7/20, lower left
Titled
in margin, signed lower right
46
x 32cm
$800
- 1,400
Note:
In
original frame with label on reverse, inscribed
“a
small token of gratitude from Kitty and HR for
kindest
assistance during urgent need 25/9/24”
Signed
by them both
__________________________________________________
252.
Harald Vike (1906 - 1987)
Urban
Scene
Watercolour
Signed
lower left
37
x 53cm
$450
- 650
__________________________________________________
253.
Ernest Abbott (1888 - 1973),
Australian
Watercolour
and gouache
Signed
lower right
28
x 52cm
$500
- 900
__________________________________________________
254.
Frank H Spears (active c.1950’s - 1970’s)
York
Landscape
Oil
on artist board
Signed
lower right
39
x 49cm
$300 - 500
__________________________________________________
FURNITURE
255.
An Edwardian Display Cabinet
In
the Chinese Chippendale style, with astragal
glazed
doors and canted corners
Total
height: 175 x width 107cm
$700 - 900
__________________________________________________
256.
An Art Nouveau Dressing Table
With
lift up mirror, internal marble base and side
recessed
top marble panels.
Most
likely French, c.1920’s
$1,400
- 1,800
__________________________________________________
257.
A Mahogany Display Cabinet c.1920’s
Upon
ball and claw feet with astragal glazed side
doors
and a serpentine shaped solid central door.
Height:
110cm; width: 137cm;
depth: 31cm
$300
- 500
__________________________________________________
258.
A substantial Mahogany Serpentine Front
Sideboard
c. 1920’s
Set
upon ball and claw feet with 2 cupboards having
flame
mahogany ovular panels and 4 drawers.
Height:
99cm; width: 183cm;
depth: 60cm
$600 - 900
__________________________________________________
259.
A Display Cabinet c.1920’s
Upon
ball and claw feet with a central nouveau style
glazed
door
Height:
118cm; width: 122cm;
depth: 35cm
$200 - 400
__________________________________________________
260.
A Mahogany Cocktail Cabinet c.
1930’s
With
internal mirror back and glass shelves
$400 - 700
__________________________________________________
261.
A Victorian Over Mantle Mirror with Rococo Style
Mahogany Frame
(Chain
and hooks on reverse for hanging or can be
stood
on a mantleshelf or sideboard)
Total
height: 99cm
Total
width: 148cm
$300 - 600
__________________________________________________
261a
A George III Mahogany inlaid and cross banded
Bureau Bookcase
Having
a swan neck pediment over blind fretwork.
$8,000
- 10,000
__________________________________________________
262.
A Very Substantial, Carved & Decorated
19th Century Chinese Cabinet
Having
3 sets of twin sliding doors, each decorated
with
mother of pearl, carved bone and painted
depictions
of birds in foliage settings. Plus
six other
similarly
decorated panels together with carved pierced
fretworks
of leaves and flowers as well as substantial
solid
panel carvings.
The
whole; set upon carved scrolled feet, surmounted
by
a carved pediment.
Height:
228cm; width: 132cm;
depth: 34cm
$3,000
- 5,000
Provenance:
Purchased
as “antique” in 1925 and passed down
through
a local family.
__________________________________________________
263.
An Edwardian Mirror Backed Sideboard
Having
six half drawers, set upon bun feet surmounted
by
a Victorian style pediment. The
mirror flanked by
arts
and crafts style triple columns.
Height:
220cm; width: 122cm;
depth: 52cm
$900 - 1,200
__________________________________________________
264.
A Late Victorian, English Oak Sideboard, c.1885
Fine
condition
$1,300 - 1,600
__________________________________________________
265.
A Georgian, Flame Mahogany Corner Cabinet
c.1810
$1,200
- 1,600
__________________________________________________
266.
A William IV English Mahogany Tilt Top Table
on Triform base, c.1845
$1,900
- 2,600
__________________________________________________
267.
A Pair of English Oak Hall Chairs, c.1835 - 1845
$650
- 950
__________________________________________________
268.
A Western Australian Jarrah Dresser, c.1900 - 1910
$1,300 - 1,700
__________________________________________________
269.
French Ormolu Gilded Mantle Clock, c 1830
With
silk suspension, 8 day movement strikes
the
bell
$1,200
- 1,600
__________________________________________________
270.
Austrian Wall Clock with Cow Tail Pendulum
Brass
dial with pewter chapter ring. Strikes the bell.
Signed
“Hans Sabs Wien, 1756”
$1,200 - 1,600
__________________________________________________
271.
William IV Mahogany Side Table with Two Drawers
$900
- 1,300
__________________________________________________
272.
Oak Country Style Side Table with Drawer, c.1910
$450 - 650
__________________________________________________
273.
Victorian Sofa Table with Two Drawers
$900 - 1,300
__________________________________________________
274.
A
Two
weight 8 day movement, strikes the gong,
made
by Gustav Becker, c.1880
$1,300
- 1,800
__________________________________________________
RUGS
275.
A Fine Lambswool Royal Classic Persian
Kashan Rug
2.5
x 3.45 metres
$1,700
- 2,100
__________________________________________________
276.
A Fine All Over Herati Design Persian Saruk Rug
2.3
x 3.35 metres
$1,800
- 2,400
__________________________________________________
277.
A Fine Pistachio Green Classic Persian
Kashan Rug
3.05
x 4.05 metres
$2,900 - 3,700
__________________________________________________
278.
A Rare Classic Persian
2.8
x 3.9 metres
$2,500
- 3,200
__________________________________________________
279.
A Fine Lambswool Dome Design Persian
Kashmar Rug
3.0
x 3.75 metres
$2,800 - 3,500
__________________________________________________
ANTIQUITIES
(Note:
see conditions of sale for lots marked * )
*280. An Egyptian Necklace
Greco-Roman
period, circa 332BC - 395BC
Hollow
bi-conical gold beads interspersed with glass
beads
Length:
51cm
$300 - 500
__________________________________________________
*281.
An Egyptian Statuette of a Man
Late
period, circa 747BC - 332BC
Carved,
gessoed and painted wood
Height:
50cm
$800 - 1,200
__________________________________________________
*282.
i) An Egyptian Votive
Offering Beaker
Late
period, circa 30th dynasty 380BC - 343BC
Blue
faience, impressed with a cartouche
Height:
2.4cm; diameter: 3.7cm
ii) An Egyptian Lidded
Ointment Jar
Late
period, circa 30th dynasty 380BC - 343BC
Blue
faience, impressed with three columns of
Hieroglyphs
Height:
4.1cm; diameter: 3cm
$300
- 600 (2 items)
Reference:
F.D.
Friedman, “Gifts of the
Faience”,
1998
__________________________________________________
*283.
i) An Egyptian Amulet of the
Goddess Taweret
Greco-Roman
period, circa 305BC - 30BC
Faience
Height:
8.5cm
Note:
The
Deity Taweret, in the form of a female
hippopotamus,
was associated with the protection of
women
in childbirth. She was portrayed
with the arms
and
legs of a lion, and the back and tail of a crocodile,
while
her pendulous breasts and full belly conveyed the
idea
of pregnancy.
ii) An Egyptian Wedjat-Eye
Amulet
Third
Intermediate Period, circa 1069BC - 715BC
Carved
stone
Height:
5cm; Width: 7.5cm
Note:
The
Deity Horus was not only a God of the sky, but
the
embodiment of divine kingship and protector of
the
reigning pharaoh. During his
conflict with the evil
God
Seth, Horus is said to have lost his left eye.
Fortunately,
The Goddess Hathor was able to restore
it.
The Wedjat-Eye, The Eye of Horus, therefore came
to
symbolize healing.
Such
amulets are common.
iii) An Egyptian Janiform
Amulet of the God Bes
Late
period, circa 715BC - 332BC
Faience
Height:
4.5cm; Width: 2cm
Note:
Bes
was a Dwarf God with grotesque facial features
and
a plumed headdress. Despite his
apparent
ferocity
he was a beneficent deity, much favoured as
a
protector of the family.
iv) An Egyptian Bust of a
Pharaoh
Carved
Bone
Height:
5cm
v) An Egyptian Head of a Man
Late
period, circa 715BC - 332BC
Carved
gypsum
Height:
7.5cm; width: 4.7cm;
depth: 5.6cm
$300
- 600 (5 items)
Reference:
L.M.
Berman and K.J. Bohac
“Catalogue
of Egyptian Art in the
of Art”, 1999
__________________________________________________
*284.
An Egyptian Shabti Figurine
Polychrome-painted
earthenware
Height:
13.7cm
$300
- 500
__________________________________________________
*285.
i) An Egyptian Vase
Early
Dynastic period, circa 3100BC - 2686BC
Carved
breccia
Height:
23.5cm; diameter: 12cm
ii) An Egyptian Collared Jar
Carved
alabaster
Height:
15cm; diameter: 14cm
$400
- 800 (2 items)
__________________________________________________
*286.
i) An Egyptian Kohl Palette
Carved
stone
Height:
2.2cm; width: 10.5cm;
depth: 6.5cm
ii) An Egyptian Kohl Bottle
Carved
stone
Height:
6.5cm; diameter: 5.5cm
$150
- 250 (2items)
Note:
From
the earliest times, Egyptians included cosmetic
items
among their funerary equipment. Eye-paint,
known
as kohl, was regarded as a necessity, having
cosmetic,
religious and symbolic resonances. Stone
palettes
were used for grinding eye-paint pigments,
whilst
small flat-bottomed stone vessels were used
for
storing kohl.
__________________________________________________
*287.
An Apulian (Italy) Red-Figure Pseudo-Panathenaic
Amphora
Depiction
of the head of a woman and a winged female
figure
(Nike). Attributed to the Foggia
group of painters.
Circa
400BC - 300BC
Painted
earthenware
Height:
57cm; diameter: 26cm
$700
- 1,000
Reference:
A.D.
Trendall, “Red-Figure Vases of
and
Note:
centre
for the manufacture of pottery. Initially
dominated
by the Athenian tradition, it soon developed
a
style of its own; red-figure ware. Apulian
vases of
the
‘plain’ style were decorated with simple
compositions,
many with the head of a woman, flanked
by
palmettes. However, by the end of
the fourth
century
BC, it is clear that the Apulian red-figure style
had
worked itself out and its painters had exhausted
their
resources. The death throes are to
be seen in
vases
that lack any traces of originality. Vases
of the
Foggia
group display execrable drawing and pattern
work.
They are clumsy, with emphasis on the frontal
sinus,
a wavy line for the mouth and a badly-drawn
eye.
Reverse side
__________________________________________________
*288.
Circa
400BC - 300BC
Glazed
and painted earthenware
Nine
vases of various shapes and sizes
$150
- 300 (9 items)
Reference:
M.E.
Mayo “The Art of
Note:
Xenon-ware
is another feature of Apulian pottery,
being
neither fully Greek nor fully native. Such
vases
are
decorated with applied colour over a black glaze.
The
glaze is usually shiny with a metallic tinge, whilst
the
colour is typically a matt pinkish red. The
decorative
motifs are painted in a style quite different
from
that of the main Greek tradition.
__________________________________________________
*289.
i) An Arretine-Ware Bowl
Moulded
earthenware
Height:
11cm; diameter 13.5cm
Reference:
F.
Nicholson, “Greek, Etruscan and Roman
Pottery”,
1965
Note:
Arretine-ware
was famous for its moulded relief